Direction tools

Four short tools that help you see where you lean before we talk: style, materials, scope and measurements. Free, no sign-up and no AI. Everything runs in your browser.

Your choices are kept only in this browser until you send an inquiry. Nothing reaches Adi until you choose to send an inquiry, and the brief stays in this tab.

Eight choices. One style profile.

In each question choose what draws you more, without overthinking. At the end you get a name, a few sentences and materials from the board.

Step 1 of 8

Which shared space feels closest to you?

Choose a material. The board changes.

Beside the board you will find the explanation: how to work with the material and what goes with it. These are rules of thumb, and the real samples are checked together in your home's light.

How to work with it

Light oak

Where it fits
Almost any lived-in room: living room, hallway and bedrooms. Especially good for spaces that should feel open and warm without feeling heavy.
How it behaves in light
Reflects light and widens the space. Under yellow light it warms up; in north light it looks greyer.
Care
A relatively soft wood, so expect small marks over the years. Felt pads under furniture legs, near-dry mopping, and no standing water.
What goes with it
Sand and warm-white walls, linen and bouclé, brass or matte black. With nickel it stays calm and slightly cool.

The harmony of your board

Soft warmth

Your board. Floor: Light oak. Wall: Warm white. Textile: Linen. Metal: Brass.

Light, warm materials with no heavy point. An easy direction to live with, and if you want depth, one dark point is enough. Brass and wood speak the same warm language, so they connect easily.

Floor

How to work with it

Light oak

Where it fits
Almost any lived-in room: living room, hallway and bedrooms. Especially good for spaces that should feel open and warm without feeling heavy.
How it behaves in light
Reflects light and widens the space. Under yellow light it warms up; in north light it looks greyer.
Care
A relatively soft wood, so expect small marks over the years. Felt pads under furniture legs, near-dry mopping, and no standing water.
What goes with it
Sand and warm-white walls, linen and bouclé, brass or matte black. With nickel it stays calm and slightly cool.

Wall

How to work with it

Warm white

Where it fits
Almost any room, especially when you want the materials and the light at the centre. Works in small rooms too.
How it behaves in light
Reflects light and widens the space. It is warm, not clinical, but in a room with north light it tends towards grey.
Care
Fairly easy to clean in a durable matt finish, yet hand marks show around switches and doors. Keep a little paint for touch-ups.
What goes with it
Almost everything. With walnut and velvet it lets the materials breathe; against concrete and nickel it turns cooler.

Textile

How to work with it

Linen

Where it fits
Curtains, cushions, bedding and chair covers. Suited to anyone who wants a calm, relaxed look.
How it behaves in light
Lets light through and softens it. A linen curtain filters the sun without blocking it.
Care
It creases, and that is part of its character. Wash gently and expect slight shrinkage if the wash is not right.
What goes with it
Almost everything. With oak and sand walls it is simple and light; against terracotta it gives room to breathe.

Metal

How to work with it

Brass

Where it fits
Handles, taps, light fittings and frames. In one room, small touches are usually enough.
How it behaves in light
Warm and reflective, so it adds a glint. Under warm light it looks almost like gold.
Care
Unlacquered brass develops a patina over time and darkens. To keep it bright, order it lacquered, and lacquer can wear away.
What goes with it
Oak, walnut, velvet, sand and olive walls. If the room also has nickel, choose one of the two to dominate.

How the materials work at home

Five materials from the home in the project, with rules of thumb for caring for each. You can try each one on the board.

Wide living-room view showing the herringbone-pattern floor and corner windows

Herringbone floor in a wood toneAfternoon light from the corner windows

Floor

Herringbone in a wood tone

Where it lives
Throughout the shared space, from the kitchen to the dining area. One continuous floor connects the areas.
What light does to it
Afternoon light warms the tone and emphasises the direction of the pattern. In north light a pale wood looks greyer.
Care
Near-dry mopping, no standing water, and pads under the furniture legs.
Marble-look island surface with the television wall and curtains beyond

The island surface up close

Stone-look surfaces

The island surface in a marble look

Where it lives
The long island and the worktop: the place where you cook, eat and talk.
What light does to it
Window light gives a soft sheen along the island. Up close you see veins and pores that do not show in a small chip.
Care
A soft cloth, and clean wine, oil and acids such as lemon straight away. Ask the manufacturer which sealer suits the exact material.
Seating corner beside sheer-curtained windows and a pale table

The sofa and the curtainSoft fabric against strong light

Textile

A pale sofa and sheer curtains

Where it lives
The sofa, the cushions and the curtains that wrap the corner windows.
What light does to it
The sheer curtain filters the sun without blocking it, and the soft fabric makes small shadows on the surface.
Care
Regular vacuuming and immediate treatment of stains. Check the fabric label before washing.
Dining area with a dark round table, upholstered chairs and a circular mirror

The dining area

Details

Cognac and black

Where it lives
The stools along the island in cognac, with the stool legs and light fittings in black.
What light does to it
Cognac warms in the evening light. Matte black absorbs light and gives a sharp line against the pale fronts.
Care
Matte black shows fingerprints, so use a soft cloth without abrasives. Clean the upholstery according to the manufacturer's instructions.
Cognac-coloured stools along the island facing pale kitchen cabinetry

Cognac-coloured stools

Dark wood

A round dining table

Where it lives
In the dining area, beneath the round mirror, surrounded by upholstered chairs.
What light does to it
Dark wood absorbs light, so the corner feels intimate. In low morning light dust shows on it.
Care
A soft cloth and coasters for hot dishes. Strong sun over the years may change the tone of the wood.

View the full project

Four rules that save mistakes

  1. See a large sample

    A material looks different in a palm-sized piece and on a surface several metres across.

  2. Check it in your home's light

    In the morning, in the evening and under artificial light. North light and yellow light change a tone.

  3. Lay everything together

    Samples side by side, on the wall or the floor themselves, not on a desk in an office.

  4. Touch

    A bare foot, a hand on the handle: how it feels on an ordinary day, not only how it looks in a picture.

The brief

Like the direction?

We turn it into a full brief and go through it together, room by room.

Your board

  • FloorLight oak
  • WallWarm white
  • TextileLinen
  • MetalBrass

HarmonySoft warmth

Your choices are kept only in this browser until you send an inquiry.

What is the scope of the work, and in which stages?

Three choices give you a picture of the design scope and its stages, based on the services, packages and process on this site. It is not a price and not a schedule.

Which rooms?You can choose several rooms.

Choose at least one room, a current state and a finish level to see the scope.

A quote follows a conversation with Adi. This estimate contains no prices, price ranges or durations.

How the space works, before you move a piece

Enter the room dimensions, a central piece and the openings to see how much room is left for passing and for doors to swing. It is a preliminary illustration, not a measured plan.

The room

The starting figures are an example, not your room. Replace them with your own measurements, in centimetres.

180–1200 cm
180–1200 cm

Shortest distance from the piece 150 cmNo conflicts and no points to review at these dimensions.

Preliminary illustrationAn illustration only, not a measured plan
Preliminary illustration: Space plannerRoom: 480 × 420 cm. Kitchen island: 180 × 90 cm; from the left wall 150, from the top wall 170. Distance to the walls: Left 150, Right 150, Top 170, Bottom 160 cm. Passage target: 100 cm (a starting point for discussion, not a standard). Openings: 1. door Bottom 90 cm, opens inward; 2. window Right 140 cm. What the check showed: No conflicts and no points to review.480 cm420 cmTopBottomLeftRight12Kitchen island 180 × 90An illustration only, not a measured plan
Plan view, dimensions in centimetres. The directions in the drawing are fixed in both languages. The dashed line is the passage target and the door swing.

What the check shows

Distance to the walls
Distance to the wallscm
Left150
Right150
Top170
Bottom160

This is a start for a conversation. The check covers a rectangular room and looks at overlaps and distances only; it does not check structure, services, accessibility, open drawers or appliances, seating or window heights. Please check it with the designer, and measure on site.

Preliminary illustration

Space planner: Kitchen island, 180 × 90 cm

An illustration only, not a measured plan. This is a start for a conversation. The check covers a rectangular room and looks at overlaps and distances only; it does not check structure, services, accessibility, open drawers or appliances, seating or window heights. Please check it with the designer, and measure on site.

Your choices are kept only in this browser until you send an inquiry.

Your brief

Your brief reaches Adi only when you decide

What you added from the tools waits here. You can remove any part, or take all of it into the inquiry.

Nothing added yet. Every tool ends with an "Add to my inquiry" button.

Your choices are kept only in this browser until you send an inquiry. Nothing reaches Adi until you choose to send an inquiry, and the brief stays in this tab.